At the end of last year I decided I would make a climate quilt to record the high and low temperatures of each day in 2019.
I would use Baby Windmill blocks, which have a way of creeping into everything I do.
I messed around with some ideas.
The Churn Dash Cross block appeared during the recent Churn Dash Remix here on Stash Bandit. It’s an ordinary Churn Dash but it has been recolored to emphasize different parts of the design.
Here are instructions to make the block which finishes at 9″.
The back story: I was away from my machine for four weeks this summer so I played with the traditional Churn Dash in Electric Quilt. I called it the Churn Dash Remix.
See Part 1 of Churn Dash Remix
See Part 2 of Churn Dash Remix
We’ve played with block proportions, now let’s mess around with settings. A setting is just how blocks will be put together. A setting can be blocks arranged in horizontal rows or on point, blocks with sashing or without, blocks arranged vertically or randomly—there are endless variations.
While I was away from my studio for the arrival of new grandbabies, I dreamed up the Churn Dash Remix so that I could play with virtual quilt designs in Electric Quilt design software. I used a basic traditional Churn Dash quilt block as my starting point. If you missed it, check out Part 1.
In the first part, we left the block proportions alone and just played with the lights and darks plus some scrappy variations. Pretty entertaining! But now we’re getting to the really fun stuff: altering the size of the block’s grid.
I’m away from home for several weeks because I have new twin granddaughters, born in Hong Kong about two weeks ago. It’s been a whirlwind with so many emotions, and it’s been wonderful.
The short story is that everyone is doing great! I’ve had a lot of extra time with my grandsons, ages 3 and 7, as everyone adjusts to new babies. It’s been heaven on earth.
Being away from my studio for three weeks means that I don’t have much to share on the sewing front, but it has given me an opportunity to create some virtual designs in EQ8. In case you’re not familiar, EQ8 is quilt design software from The Electric Quilt Company. It’s an incredibly powerful tool and I design most of my quilts with it.
I dreamed up something called Churn Dash Remix last week in order to demonstrate some concepts about color and design while I’m away from my machine. I’m using the simple Churn Dash block as my starting point. Just above you’ll see a basic version with a nine-patch grid so that each of the three columns of patches is of equal width.
There is a lot you can do with just color and value before you ever alter the proportions of the block. Just above, the background patches become more important with zesty teal and a large-scale hot pink/orange. So simple, but effective.
Changed it up a little for a whole new look. Yellow adds spice to just about anything.
Now let’s rearrange the value placement. Value is just the lightness or darkness of the fabrics compared to their neighbors. The block above hardly looks like a Churn Dash, but it is. All I’ve done is place the lights and darks in different spots.
Here I’ve substituted reddish-pink roses for the aqua, and I love it! Plus-sign designs have been hot for a while. Have you seen them popping up in magazines, books and on social media? Who knew that a humble Churn Dash could masquerade as a plus sign?!
One more variation, above. Before we leave these proportions, let’s look at a few scrappy versions.
Here’s a tip:
The navy blue above is a good example. The block is more exciting just by letting the Churn Dash shapes be lighter than the background and almost glow against the dark blue.
The same block with pinks instead of yellows. Here’s another tip:
See how all the dark background fabrics above read in a similar way? Nothing sticks out as a lot lighter. Same for the pinks: They’re all about the same medium value.
But here is what people sometimes do:
See how two of the background patches, even though they are blue, are much lighter? That doesn’t work in this case. The backgrounds need to be similar in value if they’re to work together as one.
You’ll notice that some of the pinks are more peachy and some are more purply, but that’s a good thing! The value is much more important than the shade of pink. Variety in the shades of pink makes the block interesting and engaging as long as the pinks are similar in value, which is just lightness or darkness.
Here’s the block in scrappy navy and aqua. Love it!
Everything we’ve done has just been with color and value. Wait until you see what happens when we change up the block proportions in the next post! So much fun!
My patriotic quilt called Indivisible came out in the July/August issue of Fons & Porter’s Love of Quilting.
This idea was born during a work day that my guild hosted to make Quilts of Valor. I made a few Friendship Stars as kind of a soup starter, not sure where they would lead. Our bin of donated fabrics had a wide red stripe in it, and I started thinking about combining it with the stars. Long story short, this is the design that emerged.
Is there a better month than June? It’s not too hot, there aren’t too many mosquitoes and the whole summer stretches before you.
I live at the northern edge of wheat country and the wheat is gorgeous this time of year. I snapped the shot above on my morning walk yesterday. This is hard red winter wheat, and it will be harvested probably in July. Everything is late this year because it’s been cool and wet.
I went to Des Moines this week to see my great-nieces and great-nephew show their pigs on the Iowa State Fairgrounds.
My family’s roots in the livestock industry go way back, and these kids are the fifth generation that I know of to show competitively.
This is my best machine quilting trick. It’s easy to do and it looks great. I’ve done it most often on smallish quilts but I’ve used it on a throw-size quilt, too.
I tried it for the first time on this little red quilt, which is a free pattern just for my readers. Such a simple idea! You won’t have any trouble executing this as long as you have a walking foot for your machine.
I’m often asked about the giant pineapple quilt because it’s part of two trunk shows. It is really an enjoyable quilt to make and it goes together quickly.
I had seen many different pieced pineapple blocks and I created this one by combining the features I liked best from other people’s designs. So I wouldn’t really say it’s original, although I think it’s rather unique. It’s about 51″ x 68″ which makes a nice throw.
I started with 10″ squares of assorted yellows and golds, assorted greens and assorted lights for the background. The yellows and golds need to be strong enough to contrast with the background fabrics.